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Each photograph is chronologically and descriptively titled, beginning with the first day Simmons received the doll in the mail, , the moment at which a second love doll enters Simmons’s constructed scene.
Simmons personifies her doll by reconsidering her not as a sex toy but rather as an everyday woman engaging in ordinary activities: lying on a bed, diving into a pool, jumping off a stone wall, and lounging with a book.
Although the majority of the portraits represent the model clothed, presents the doll entirely naked, confronting the viewer with her essential nature as an erotically charged object.
Simmons’s photographs use humor to critically examine themes of femininity and sexuality.
It will have a laptop-sized screen, wide-angle camera, microphone, and speaker boasted by AI.